Wednesday, May 26, 2010

ATLAS students display their capstone projects

The creative works of students in the ATLAS capstone projects course were installed in the ATLAS building this month. Video versions of some of the projects are now posted on YouTube.
The capstone projects course includes a series of lectures, demonstrations, portfolio development, open lab sessions, meetings, critiques and a significant reading and writing component. Students explore issues and theory, then produce a final project depicting a specific theme. The projects can be in any medium and several used both physical and digital media.
The course is the final stage of the 21-credit ATLAS minor in Technology, Arts and Media. Like all ATLAS courses, students come from any major on campus. They bring a diversity of experiences, interests and knowledge in producing their capstone projects. (More information about the minor and courses available is at http://www.colorado.edu/atlas/newatlas/tam/courses.html)

Here are some examples of their work:

• "Color Portrait of the Late 18th and 20th Century Paris"
Kendal Anderson, a Film Studies/Studio Arts major, used a Flash-based animation to feature photographs and artwork portraying Paris in the late 19th and 20th centuries.
"The piece is meant to portray the feeling and the beauty of Paris primarily by way of color and abstraction," she writes. "My goal for this piece is to captivate the viewer and draw them into the experience of a specific place and time -- the colors and imagery become almost hallucinatory as one image morphs into another."
View the video by clicking here.

• "Digesting a Gust of Wind for Breakfast"
Danielle Larson, Advertising major, used strips of cloth draped over a canvas as a screen to project this video. The artwork depicts a form of "Techno-Stress."
"As a student of culture, I am addicted to technology. Yielding innovation, design and connectivity, technology has been an integral part of my daily routine," she writes. "However, technology is my highest source of anxiety, which I've dubbed 'Techno-Stress.' Trying to stay on top of endless programs, services and devices; mastering skills, unlocking shortcuts, gaining organic ease within an interface is always met with something newer, faster, better, different. It's exhausting.
"To me, artistic (specifically visual) innovation is intriguing and certainly more meaningful. However, to create progress in the artistic space, you must integrate new media, technology and creative methods. As I've experienced in this program, the distinction between technology, arts and media is becoming less and less tangible...
"I can't seem to truly get away from my devices. Finding a moment to just breathe has become unjustifiable. Rather, we wake to our e-mail ringing our phone, three new events added to our day's calendar, while digesting a gust of wind for breakfast on our way out the door."
View the video by clicking here.

• "NIKEvolution"
Brett Macartney, Advertising major, Technology, examines the Nike brand since 1964.
"Nike has become among the top in its category, not only for product quality, but also advertising campaigns. Some of the most memorable print ads, television spots and advertising slogans have been born from this brand.
"This project shows the road this brand has taken from the beginning, through all the advertising campaigns and to what it stands for today," Macartney writes.
View the video by clicking here.

• "My Life in Boulder, Colorado"
Molly Oliver, a Communications major depicts scenes in Boulder and the Rocky Mountain region with a series of visual animations and time-lapse video.
"The objective of my project was to include scenes from Colorado that are unique to my experience," Oliver writes.
"Over 10 hours of footage has been condensed into this three-minute depiction of life in Boulder, Colorado. This time-lapse video is a compilation of some of my favorite memories here at CU."
View the video by clicking here.

• "ICT4D: Making the Change in Underdeveloped Countries"
Koby O'Brien, an English literature major, examines how Information and Communication Technologies for Development (ICT4D) can assist underdeveloped countries by providing tools and knowledge for development.
"ICT4D creates projects that provide struggling societies with technology, giving them more opportunities within the economy and a voice for change. Watch this video to find out more about what ICT4D projects can accomplish and the steps that need to be taken for them to succeed."
View the video by clicking here.

Bruce Henderson is director of communications at the ATLAS Institute. He worked as a newspaper reporter, photographer and editor for 20 years before becoming an associate professor of journalism at CU, where he taught journalism and new media publishing for a decade.

Monday, April 12, 2010

Communikey Festival presents workshops, performances, interactivity April 15-17 in ATLAS



The annual Communikey Festival of Electronic Arts comes to ATLAS Thursday-Saturday, April 15-17, with live performances, workshops and interactive projects. Events in ATLAS include:

Make A Baby

Workshops with Lucky Dragons, Thursday, April 15, ATLAS Black Box theater (Photo 4)

The experimental duo Lucky Dragons, consisting of Luke Fischbeck and Sarah Rara of Los Angeles, use homemade hardware and software to translate data generated by skin contact into visualizations and sound generated by the group interaction.
Only three workshop slots remain open: 1 p.m., 3 p.m. and 4 p.m. Register for a workshop by e-mailing workshops@communikey.us.

Sharing Visual Ideas in Processing

Workshop with composer Peter Kirn, 2-4p.m. Friday, April 16, ATLAS Cofrin Auditorium

Using the free and open source Processing software, Peter Kirn, a faculty member at the Parsons New School for Design and a Ph.D. student at the Graduate Center of the City University of New York, will introduce the basics of using code and will assign sonic and visual elements, and then will share an audiovisual sketchpad in a networked collaboration.

Sonic Chop Shop Workshop

Featuring D Numbers (Photo 3), noon-2 p.m. Friday, April 16, ATLAS Black Box theater

Audience members are encouraged to bring their own instruments, music loops, drum machines, sequencers, mixing boards and their voices to this music fusion workshop. D Numbers, a three-person group from Santa Fe, will blend the sounds into an electro-acoustic music experience.

DIY Headcase

Featuring White Rainbow (Photo 2) and Lucky Dragons, 7-9 p.m. Friday, April 16, ATLAS Black Box theater

Lucky Dragons and White Rainbow, a psychedelic, electronic, experimental music project of Adam Forkner of Portland, Ore., spotlight DIY craftsmanship and aesthetics in a live performance amplified in the high fidelity setting of the Black Box theater.
Tickets, which are $5 for students and $10 for non-students, can be purchased at http://www.brownpapertickets.com/event/105426.

Mutek A/Visions

Featuring Artificiel, using an audio-modulated Tesla coil (Photo 1) as a live instrument, 7-9 p.m. Saturday, April 17, ATLAS Black Box theater

Alexandre Burton, Julien Roy and Jimmy Lakatos make up Artificiel, a group based in Montreal, Canada. They will perform their latest project, POWEr, which uses an audio-modulated Tesla coil as a live instrument. Electrical arcs produced by the coil are generated and transformed in an ongoing, real-time audiovisual process. Also featuring Xavier van Wersch from The Hague Tickets for the event are $20 and can be purchased at http://www.brownpapertickets.com/event/105342.

Wednesday, April 7, 2010

Looking at the iPad and a portal to the future

The new Apple iPad is making me think deeply about how news and entertainment are consumed. That's a bit of a leap for me, because my professional life has involved using computers to create all types of content, from news to still photos to audio and video and interactive content.

Creating versus consuming. The iPad is a device for consuming all types of media. Not by accident, it also provides a pretty easy way to spend money, to buy things, to help satisfy the myriad appetites of all types of consumers.

There's that word again. Consume.

So I've been getting in touch with my consuming side since I picked up the iPad at its debut on Saturday (although I am using the iPad to write this blog and am very pleased with how my typing speed and accuracy are improving).

Time magazine, USA Today (which is only free until July), New York Times Editor's Choice, BBC News, ABC (on-demand choices for just about any fairly recent ABC TV show), NPR, Pandora, YouTube, iTunes, various publication Web sites, books. All of these display beautifully and quickly on the iPad. My favorite for design, graphics, lots of photos and some video is Time magazine. It's just gorgeous. And I can't wait for Wired magazine (see
http://www.wired.com/epicenter/2010/02/the-wired-ipad-app-a-video-demonstration/)

First-day sales of the iPad were around 300,000, application downloads topped a million and about 250,000 e-books were sold, according to Apple. Worldwide iPad sales estimates for the year range from 2.5 million to 7.1 million, according to the Wall Street Journal (see article here).

Seton Hill University will give every full-time student an iPad starting in the fall (http://www.setonhill.edu/iPad). Locally, Alexandar Dawson School, a private K-12 prep school in Lafayette, will provide iPads for all fifth and sixth graders and is building a curriculum to complement the device (http://www.dawsonschool.org).

The iPad looks very much like the tablet computer envisioned by Roger Fidler in the early 1990s. Fidler operated the Information Design Lab from 1992-1995 in Boulder. He prototyped an electronic tablet newspaper and peered into the future of electronic publications. (For a story about the iPad, the lab and to see the lab's original video about the tablet, click here. For a look at what Fidler currently is doing and his review of the iPad, click here.

Ironically, Knight Ridder, the newspaper chain that funded his research lab and at that time owned some 30 newspapers (including the local Daily Camera where I was working at the time), is no longer in business. Newspapers -- and journalism -- are endangered financially in the current electronic era.

Can the iPad make a difference?

The School of Journalism and Mass Communication at the University of Colorado is hosting a lab that is investigating the future of news in the digital age. It's called the Digital Media Test Kitchen. The effort is being led by Steve Outing, who is well-known in the online media community through his Editor & Publisher Online column called "Stop the Presses.”

The mission of the lab is to take "a cross-disciplinary approach to addressing the market failure in public-interest journalism by testing, advancing and developing new technologies, techniques and business models to reinvigorate and reinvent the news industry as it navigates through a turbulent transition period."

The Test Kitchen invites participation in a number of areas, including research, testing and adaptation of digital/news media, student projects and financial support.

More information about the Digital Media Test Kitchen is at http://test kitchen.colorado.edu.



Bruce Henderson is director of communications at the ATLAS Institute. He worked as a newspaper reporter, photographer and editor for 20 years before becoming an associate professor of journalism at CU, where he taught journalism and new media publishing for a decade.

Tuesday, April 6, 2010

Sound artists Ross Hagen and Jim Permanent present unique mixes of technology, 7:30 p.m. Saturday, April 10, ATLAS Black Box

"This is my first full-on, immersive, surround-
sound show; I'm pretty pumped about it!"
--Composer/sound artist/performer Ross Hagen

CU College of Music instructor, doctoral student, composer and sound artist Ross Hagen will perform his original works in a surround-sound concert.
Using a combination of acoustic instruments with analog synthesizers, hardware effects units and manipulated field recordings, his sounds will provide audience members with a unique, immersive acoustic experience.
Hagen, under the name "encomiast," has released nine full-length collections on various labels since 1999. One project was featured on a variety of compilations, incorporated into film music and performed live.
A reviewer commented on one of Hagen's works:
". . . [his work] is downright frightening, all creaking moaning low end, deep ominous rumbles, all manner of tiny sounds drifting up out of the inky blackness, cold and sinister, abstract and ephemeral, the overtones drifting like lost specters, voices moan and bellow, the natural room sound [is] as much an instrument as anything else.
"These deep dark drones totally evoke the spirit of that haunted space. . . submerge yourself in these seemingly bottomless sounds." Learn more about Ross Hagen's sound art and his pseudonym encomiast.


Jim Permanent, "turntapelist,"
presents his sound art

Jim Campbell (aka Jim Permanent) calls himself a "turntapelist, for lack of a better word." Inspired by proponents of experimental work with vinyl, both avant-garde and hip-hop, he started to experiment with low-fidelity electronics, primarily relics of the tape age.
Over time, he moved beyond his drum kit and put together a new instrument, a "cassette scratch orchestra," composed of cast-off phrase trainers, self-made scratchbunnies, dictaphone, an analog cassette multitracker and piles of found and self-dubbed tapes.
Campbell works in a variety of contexts, improvising freely, scratching abstract-emotive tone poems on the fly. In addition to composing for theater and dance, he curates the innovative "baender bender" concert series in Dortmund, Germany. Also, he has collaborated with a diverse range of musicians. See his videos and hear his music and sound art.


Tickets are free. Seating is limited.
Reservations are recommended.

Reserve your seats now:
http://atlas.eventbrite.com/

Listen to sound artist Ross Hagen’s work
(under his pseudonym, “ecomniast”)
http://www.myspace.com/encomiast

See sound artist Jim Permanent’s videos:
http://www.youtube.com/user/jimpermanent

Monday, March 22, 2010

Multimedia double-feature "There Came A Voice" and "She" performed 7:30 p.m. Friday and Saturday, April 2-3, at ATLAS

There Came A Voice
…unites live music, poetic film, and ambient light design to create an environment evocative of an ancient mountain-top encounter.
Designed and directed by Jacob Herold

She
…fuses live dance and film, using creative video sampling, remixing, and montage to bring a Tarantino-style femme fatale to life. “She” is not to be messed with!
Designed and directed by Esmeralda Kundanis-Grow, Mara Tasker, and Nathan Minatta.

Reserve your seats for Friday, April 2.
Reserve your seats for Saturday, April 3.

A reception will follow performances each night (free and open to the public).

Wednesday, March 10, 2010

ATLAS has three free concerts this weekend, March 12-14

Celebrate a 3-Day Fusion of Music, Video and Technology; Friday to Sunday, March 12-14)

Explore the creative fusion of traditional music, acoustic instruments and video/sound technology in 3 free ATLAS concerts

7:30 p.m. Friday, March 12
Psychoangelo, led by CU music professor Michael Theodore, consists of Glen Whitehead on trumpet and electronics, and Theodore on guitar, electronics and percussion. Music includes elements of jazz, rock, world and ambient electronic music. They will perform against a backdrop of animated graphics produced by Theodore and will be joined by a number of musical guests. Reserve your seats for Friday, March 12.

Safari Trio, led by CU music professor John Gunther on sax and flute, features guitarist Brad Shepik and percussionist John Hadfield. Their music includes jazz, folk and rhythms from around the world. The performance will be accompanied by a backdrop of computer graphics generated in real time. Reserve your seats for Friday, March 12.

7:30 p.m. Saturday, March 13
BLOrk (Boulder Laptop Orchestra), now in its second year, presents new compositions that explore the unique potential of the hemisphere speaker, speakers designed to imitate the sound dynamics of acoustic instruments. Special guests include Naropa's Janet Feder on guitar and artist-in-residence Darwin Grosse, composer and software designer. Reserve your seats for Saturday, March 13.

5:30 p.m. Sunday, March 14
CU and NYU (New York Univeristy) join in their second real-time Internet collaboration exploring the theme: "Memory and the Internet." High-speed video and audio links allow both audience and performers in remote locations to interact in this virtual concert. See a video of an improvised virtual concert, read more about the high-speed technology, and an NYU discussion about artists, production and networks.

Reserve your seats for Sunday, March 14.

Reservations are recommended. Use links above, "Reserve your seats..."

Concerts are free and open to the public. Seating is first come, first served.

This concert series is presented by Interdisciplinary Studies in Music, Art and Technologies, a research initiative of CU-Boulder. Visit CISMAT.org.



Monday, February 8, 2010

Hunter Ewen: "Hullo, My Name is Lily Foster"

Lily Foster
"Hullo, My Name is Lily Foster," an interdisciplinary, multimedia production, combines music, dance (both modern and aerial), visual arts, poetry, electronic technology and video. 

The production is written and produced by Hunter Ewen, a CU-Boulder College of Music doctoral program student. Actress and soprano Elizabeth Comninellis plays title character Lily Foster, an 18 year-old abuse survivor. 

The show will be performed one evening only, 7:30 p.m. Saturday, Feb. 27th in the ATLAS Institute's Black Box theater at the University of Colorado at Boulder. A reception, free and open to the public, will follow. Admission is free; reservations are recommended. Reserve your seat now
Note: This show is not appropriate for children.


Writer and director Ewen explained, "The story we're telling is about a young woman, Lily Foster, who suffered sexual abuse as a child. We see what life is like through her eyes." He continued, "She is very artistic, expressive and musical, so we use all kinds of technology, musical genres and media to reveal who she is." 

A related component of the project is an art and video show installed in the ATLAS lobby consisting of 13 paintings by Ewen along with a video running on the ATLAS video wall. The video artwork will cycle through more than 3,000 photos, comments, conversations and interactions from Lily Foster's Facebook page. The Lily Foster art and video installation will run from Monday, Feb. 15th to Wednesday, Feb. 24th. See Lily Foster's web site for more details